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The end of an interview with Venezuelan poet Igor Barreto. He talks about the six years he spent as a cinematography student in Romania and about his meeting with Martin Sorescu, a Romanian poet who inspired the name of his book, Soy el muchacho más hermoso de esta ciudad. He also discusses Venezuelan poetry and reads poems from his various books.
Esteban Peicovich talks with Argentine writer Irina Bogdachevsky about her work translating poems of three Argentine poets (Olga Orozco, Juan Gelman, and Mario Porro) and one Uruguayan poet (Idea Vilariño) from Spanish to Russian and vice versa. Bogdachevsky talks about the state of Russian literature in the last years and describes the different political situations that took place for many Russian writers.
Esteban Peicovich and Irina Bogdachevsky continue their interview in La Plata. They talk about the great Russian poets including Pushkin, Lermontov, Fet, Koltsov, Solovyov, Bely, Blok, Mayakovsky, Esenin, Tsvetaeva, Okudzhava, Akhmatova, Akhmadulina, Khlebnikov, Pasternak, Tarkowski, Brodsky and Nabokov, and the different movements they represented. Some of the movements discussed are the Russian symbolism, futuristic and acmeism movements. During the interview Bogdachevsky reads poems she translated from Russian to Spanish and vice versa.
During his interview with Esteban Peicovich, Isidoro Blaisten talks about what a poet is, his literary works, his workshops on literary writing, his beginnings as a writer and writers who influenced his works. Blaisten mainly focuses on his latest book, Cuando éramos felices, which he describes as a combination of autobiography, short stories and views on literature in Argentina. Some of his short stories were inspired by the many different jobs he had as graphic novelist, publishing writer, journalist, photographer and bookseller. Throughout the interview, Blaisten reads several of his short stories and poems.
Jorge Accame and Esteban Peicovich discuss Accame's book, Concierto de jazz, which was recently published at the time of this interview. This book is closely related to a previous book, Cuatro poetas. They take turns reading excerpts from these books.
During his interview with Esteban Peicovich, Jorge Boccanera talks about his poems, his birthplace (Bahía Blanca, Argentina), his beginnings as a writer, Luis Cardoza y Aragon (a Guatemalan writer that influenced his works), radio programs with Litto Nebia and Humberto Constantini, his poems as lyrics for famous Argentine singers and his life in Costa Rica. The last part of the interview is a discussion of Boccanera's book in progress about Juan Gelman and Gelman's literary works, his personality and other aspects of Gelman's life. Also during the interview poems are read by both Peicovich and Boccanera.
Esteban Peicovich interviews Leopoldo Brizuela on the ways and styles of his writings. Brizuela talks about his preferences when writing about a character, how different are narratives from essays and his own writing style. At the request of Peicovich, Brizuela talks about the difference between explaining and describing events in a story, the most effective uses of person (first or third person singular) and tenses (verb forms) and other techniques to write stories or novels. Brizuela uses examples to illustrate his points.
Lily Alvarez was an early participant of the Chicano Movement and an early member of El Teatro Campesino. The purpose of this interview was to better understand mestizaje ideology and its popularity during the height of the Chicano Movement. Alvarez discusses her participation within the Chicano Movement and her understanding of the concept of mestizaje.
Luis Valdez was an early participant of the Chicano Movement and an original co-founder of El Teatro Campesino. The purpose of this interview was to better understand mestizaje ideology and its popularity during the height of the Chicano Movement. Valdez discusses his participation within the Chicano Movement and his understanding of the concept of mestizaje.
